It's funny reading 03 reviews and seeing people complain about Phish jamming too much.
Excellent improv throughout this show, one of the best YEMs post-90s, a Scents that was completely blown out into the astral plane. One of the most inventive Chalkusts ever, a Twist around for the ages.

Flash forward 7 years, sneak this show into summer tour 2010 and it'd be the most beloved show of the tour. Secret Smile and all. It has something for everyone, but for some reason people chose to pour negativity into everything Phish did in the 2.0 era, developing stupid opinions that had little to nothing to do with the imaginary drop off in musical quality from 2000 to 2003. This show is a shining example of just how powerful the catharsis of stepping on stage was for Phish in those days. Everyone seems to take it the wrong way. This music is so dense and interesting because it's the sound of four guys stepping into their safe place and poring passion into every note. When the average review features people moaning about flubs in songs they never cared about instead of celebrating this fascinating brand of improv, it's clear why Phish recognized a massive disconnect between themselves and their aspiring Us Weekly beat writer fan base.

Miles Davis life was spiraling out of control pretty much his entire career. The heroin and busted-lip hookers and hustlers lurking behind every note. Someone alert huh..everyone that his musical value needs to be diminished by shit that really isn't any of everyone's concern.